This site is an expanded and significantly upgraded version of the Flickr Commons based tool I created several years ago. As well as a major design/UX overhaul, it now includes data from further providers (see full list below). I'd welcome further suggestions as the harvesting tool and database are easily extendable.
For information, questions and bug reports please contact James Morley @jamesinealing | james@jamesmorley.net
Current totals by data source
Current totals by date accuracy
Breakdown of institutional data retrieved through Europeana
Het Nationaal Glasmuseum - 22336 items; Sjöhistoriska museet - 11809 items; Bohusläns museum - 7936 items; Vänersborgs museum - 7561 items; Kulturarv Västernorrland - 4090 items; Rijksmuseum - 3241 items; Tekniska museet - 2444 items; Armémuseum, Stockholm, Sweden - 2317 items; Karlsborgs fästningsmuseum - 2007 items; Miliseum - 1287 items; Örebro läns museum - 1254 items; Flygvapenmuseum - 1058 items; ModeMuseum Provincie Antwerpen - 1042 items; Marinmuseum - 735 items; Skansen - 629 items; Österreichische Nationalbibliothek - Austrian National Library - 579 items; Riksantikvarieämbetet - 381 items; Stiftelsen Nordiska museet - 288 items; Historisch Museum Ede - 254 items; Stedelijk Museum Zutphen - 221 items; Ajuntament de Girona - 106 items; CODA Museum - 103 items; INP - National Heritage Institute, Bucharest - 103 items; Upplandsmuseet - 102 items; The Archaeological Heritage Agency of Iceland - 95 items; Aaltense Musea - 58 items; Stadsmuseum Harderwijk - 56 items; Sundsvalls museum - 50 items; National library of Montenegro "Đurđe Crnojević" - 44 items; Länsmuseet Gävleborg - 37 items; Nederlands Openluchtmuseum - 31 items; Vasamuseet - 28 items; Images of Old Cluj - 27 items; Nederlands Tegelmuseum - 20 items; Postmuseum - 18 items; Δήμος Τρίπολης - 11 items; Botanic Garden and Botanical Museum Berlin-Dahlem - 9 items; Cluj County Library - 9 items; Slovak National Library - 8 items; Csorba Győző Könyvtár - Pécs - 7 items; Stadskasteel Zaltbommel - 7 items; Stichting Liemers Museum - 6 items; Lietuvos dailės muziejus - 4 items; Žemaičių muziejus „Alka“ / Samogitian Museum "Alka" - 3 items; Deventer Musea - 3 items; NOC*NSF - 3 items; Nationalmuseum, Sweden - 2 items; Wikimedia Commons Community - 2 items; Lietuvos švietimo istorijos muziejus / Museum of Lithuanian Education History - 2 items; Rippl-Rónai Megyei Hatókörű Városi Múzeum - Kaposvár - 2 items; Museum Elburg - 1 items; National Library of Bulgaria - 1 items; Horniman Museum and Gardens - 1 items; jNederlands Openluchtmuseum - 1 items; Lietuvos dailės muziejus / Lithuanian Art Museum - 1 items; Kauno IX forto muziejus / Kaunas 9th Fort Museum - 1 items; A. Baranausko ir A. Vienuolio-Žukausko memorialinis muziejus / Antanas Baranauskas and Antanas Vienuolis-Žukauskas Memorial Museum - 1 items; Slot Loevestein - 1 items; Museon - 1 items
Breakdown of institutional data retrieved through Flickr Commons
The U.S. National Archives - 1730 items; The Library of Congress - 1093 items; SMU Libraries Digital Collections - 1038 items; State Library and Archives of Florida - 912 items; State Library of Queensland, Australia - 891 items; Cornell University Library - 840 items; bibliothequedetoulouse - 821 items; Australian National Maritime Museum on The Commons - 567 items; Swedish National Heritage Board - 559 items; National Library of Ireland on The Commons - 494 items; State Library of New South Wales collection - 402 items; Vestfoldmuseene | Vestfold Museums - 385 items; MissouriStateArchives - 371 items; National Library of Australia Commons - 295 items; NASA on The Commons - 262 items; Tyne & Wear Archives & Museums - 249 items; National Library of Norway - 229 items; Royal Australian Historical Society - 216 items; Deseronto Archives - 183 items; Provincial Archives of Alberta - 177 items; Powerhouse Museum Collection - 170 items; UW Digital Collections - 123 items; National Library NZ on The Commons - 123 items; UA Archives | Upper Arlington History - 114 items; National Library of Scotland - 105 items; Jewish Historical Society of the Upper Midwest - 89 items; Australian War Memorial collection - 88 items; Tasmanian Archive and Heritage Office Commons - 78 items; National Archives of Estonia - 67 items; Museum of Photographic Arts Collections - 64 items; Stockholm Transport Museum Commons - 61 items; Liberas / Liberaal Archief - 59 items; National Museum of Denmark - 55 items; Costică Acsinte Archive - 49 items; The Gallen-Kallela Museum - 46 items; Archives of the Finnish Broadcasting Company Yle - 46 items; Museum of Hartlepool - 45 items; George Eastman Museum - 33 items; San Diego Air & Space Museum Archives - 32 items; The National Archives UK - 31 items; tyrrellhistoricallibrary - 29 items; Preus museum - 27 items; Fylkesarkivet i Sogn og Fjordane - 21 items; OSU Special Collections & Archives : Commons - 21 items; The Finnish Museum of Photography - 20 items; National Science and Media Museum - 17 items; Schlesinger Library, RIAS, Harvard University - 9 items; Huron County Museum & Historic Gaol - 7 items; Smithsonian Institution - 4 items; Getty Research Institute - 4 items; Svenska litteratursällskapet i Finland - 4 items; The British Library - 2 items; Camden Public Library (Maine) - 2 items; Center for Jewish History, NYC - 1 items; Kalamazoo Public Library - 1 items; Aalto University Library and Archive Commons - 1 items;
The data has been harvested from providers using some custom php scripts to query respective APIs based on dates. Data is harmonised and stored in a local mySql database.
Additional jQuery plugins are used to enhance the display, including Masonry and Bootstrap Image Gallery (based on blueimp).
The website code and generated data is openly licensed so please feel free to copy, modify, distribute as you please (subject to any restrictions as imposed by the content and toolset providers).
. Bowl-Black painted brass, two filler plugs at side. Base of bowl fitted with a glycerine filled domed glass balancer. Inside of bowl painted black with a black wire lubber line mounted against a white painted strip on side of bowl. Verge ring graduated
1920
National Maritime Museum
. Liquid compass
Bowl: Black painted white metal, two filer plugs at side, expansion chamber at base. Fitted with inner verge ring graduated with two 180 degree scales adjacent to one another. The outer scale graduated from 270 degrees through 360 degrees
1920
National Maritime Museum
. Thames waterman's breeches belonging to Henry Hayes.
Waterman's breeches belonging to Henry Hayes of Deptford. They are made from wool. Hayes wore the breeched when he won the annual Doggett' Coat and Badge Race from London Bridge to Che
1920
National Maritime Museum
. Thames waterman's cap belonging to Henry Hayes.
Red cloth peaked cap in schoolboy style, from the Waterman's uniform of Henry Hayes, Deptford. Watermen were the equivalent of water taxis rowing passengers up and down the River Thames. Henry H
1920
National Maritime Museum
. Thames waterman's coat belonging to Henry Hayes.
This coat and badge was won by Harry Hayes in the 1920 Doggett Race. The design of the coat is based on the working dress of 18th century Thames watermen. The silver arm badge has changed slightly in
1920
National Maritime Museum
A four-masted barque seen from the deck of the 'Birkdale'. This painting was previously wrongly titled as showing the 'Cutty Sark' in the distance. The distant vessel is a rather bigger four-masted barque - a rig never used on 'C
1920
National Maritime Museum
A Scene from the Deck of the 'Birkdale'. A scene from the deck of the 'Birkdale, showing sail-mending on a sunny day. The painting shows figures on the deck attending to the sails laid out on the surface. A seaman sits on a bench on the far
1920
National Maritime Museum
A Ship in the Moonlight. An atmospheric evocation of a ship in the moonlight. Everett has exploited the dark tones of the paper to enhance the visual effect of night-time. The length of the paper emphasizes the visual relationship between moon, sky, sea a
1920
National Maritime Museum
Admiral Sir Frederick Doveton Sturdee, 1859-1925. A half-length sketch portrait of Sir Frederick Doveton Sturdee by society painter Sir Arthur Stockdale Cope. The sitter leans on his right arm and looks to the left, his hands loosely suggested as clasped
1920
National Maritime Museum
At the Tropic of Cancer from the 'Birkdale'. A preparatory sketch showing a sail of the 'Birkdale, on the far right. The main part of the sketch is taken up with thin layered paint in lilac and purple to represent the sea and pink and blue
1920
National Maritime Museum
Billingsgate Fish Porters 1920. A view of Billingsgate fish porters carrying crates of fish up from the quayside where the boats have moored. The rough etching emphasizes the movement of the workers, and contributes to an impression of their physically di
1920
National Maritime Museum
Boarding the far tack on the 'Birkdale'. Everett joined the barque, ‘Birkdale’, and sailed from Bristol to Sabine Pass, Texas between April and June 1920. This was the first journey he undertook after World War I. The ‘Birkdale
1920
National Maritime Museum
Celestial navigational globe. Blue pencil from a celestial navigational globe. Astronomical details on the sphere show stars without constellation figures or contours. There is a labelled magnitude table above the title in a rectangular cartouche. Some st
1920
National Maritime Museum
Celestial navigational globe. Celestial navigational globe. Astronomical details on the sphere include stars marked with star shapes, some are named but most are only represented by a Greek letter. The constellations are marked in as much as they are name
1920
National Maritime Museum
Celestial navigational globe. Celestial navigational globe. Astronomical details on the sphere show stars without constellation figures or contours. There is a labelled magnitude table above the title in a rectangular cartouche. Some stars are labelled by
1920
National Maritime Museum
Celestial navigational globe. Metal framework from a celestial navigational globe. Astronomical details on the sphere show stars without constellation figures or contours. There is a labelled magnitude table above the title in a rectangular cartouche. Som
1920
National Maritime Museum
Celestial navigational globe. Red pencil from a celestial navigational globe. Astronomical details on the sphere show stars without constellation figures or contours. There is a labelled magnitude table above the title in a rectangular cartouche. Some sta
1920
National Maritime Museum
Coin commemorating the Pilgrim Tercentenary celebration, 1920. A half-dollar. Obverse: Half length figure of a pilgrim-father (left) in a hat, a book under his right arm. Legend: 'UNITED . STATES . OF . AMERICA . PILGRIM . HALF . DOLLAR'. Inscri
1920
National Maritime Museum
Cross of Valour (Poland). Cross of Valour (Poland) awarded to Lieutenant Commander Ronald James Burch, DSO.
Lieutenant Commander Burch was awarded the Cross of Valour for services in Polish ships. He served on the Polish submarine ‘Wilk’ (Wol
1920
National Maritime Museum
Dog collar. Metal dog collar that is gold-coloured on the outer surface. Stamped on the outer surface is the inscription: '.FLOSS. H.M.S. SHANNON. 1920 H M S DREADNOUGHT'.
1920
National Maritime Museum
Figurehead of HMS 'Hastings' 1819. Model of the figurehead of HMS 'Hastings' 1819 - the original now preserved at Merseyside Maritime Museum. The model cast in pewter and mounted on an ebonized wood base was made to commemorate the ce
1920
National Maritime Museum
Gulf of Mexico from the 'Birkdale'. A sketch looking towards an empty horizon in the Gulf of Mexico, from the deck of the 'Birkdale'. The artist has experimented with colour and shape to create the dramatic sky and cloud effects. Short
1920
National Maritime Museum
Gulf of Mexico from the 'Birkdale'. An impressionistic sketch showing the Gulf of Mexico from the 'Birkdale'. The calm sea is loosely painted and forms a visual contrast to the dark sky. A bank of cloud sits horizontally across the pai
1920
National Maritime Museum
Medal commemorating the Pilgrim Fathers tercentenary, 1920. Medal commemorating the Pilgrim Fathers tercentenary, 1920. Obverse: The stern of the 'Mayflower', the upper part bearing a medallion of a marguerite and ribbon with her name; above, th
1920
National Maritime Museum
Medal commemorating the unveiling of the Cenotaph, Whitehall. Medal commemorating the unveiling of the Cenotaph, Whitehall. Obverse: Cenotaph, three furled flags with laurel wreaths. Legend: 'THEIR NAME LIVETH FOR EVERMORE.' In exergue: 'NO
1928
National Maritime Museum
Mending sails on the deck of the 'Birkdale'. A scene on the deck of the 'Birkdale', looking forward from the poop deck. This complex composition shows the barque in full sail on a calm sea. The surface of the deck is covered with sails
1920
National Maritime Museum
Pirate hunting, Lowestoft Armed Smacks 'Telesia', 'Hobby Hawk', 'Boy Alfred' and 'I'll Try' in the North Sea. Six pen and ink drawings,depicting scenes of Lowestoft Smacks blowing up submarines.
1920
National Maritime Museum
Prize medal, Malta Chronicle Cup. White metal, Uniface Maltese Cross with disc superimposed inscribed: "MALTA CHRONICLE 1920 ARMY & NAVY CHALLENGE CUP". With ribbon attached with equal stripes of white and red.
1920
National Maritime Museum
Sabine, Texas, from the 'Birkdale'. A sketch capturing the vivid effect of the sky and sea off the coast of Sabine, Texas. Everett has used powerful brush strokes and vibrant explosions of colour to capture the desired visual appearance. The loo
1920
National Maritime Museum
Seascape from the 'Birkdale'. A dramatic sketch from the 'Birkdale', showing the effects of cloud hovering over the Gulf of Mexico. The artist has used form and colour to create a dramatic effect. The clouds hover against a flat blue s
1920
National Maritime Museum
Seascape from the 'Birkdale'. A painting showing the movement of waves from the 'Birkdale'. They are arranged diagonally across the painting, breaking into pronounced crests of thickly applied white paint. The sea in the foreground on
1920
National Maritime Museum
Seascape from the 'Birkdale'. A rapid sketch from the 'Birkdale' showing the effect of the sun on the sea and sky. The sea is loosely painted with small brush strokes to indicate the movement of the waves. The sky is shown as a band of
1920
National Maritime Museum
Seascape from the 'Birkdale'. A rapid sketch from the 'Birkdale' showing the effects of cloud formation on an empty horizon. The cloud spreads across the sky as a dark blue mass. A dark line marks the point where the sea and sky meet o
1920
National Maritime Museum
Seascape from the 'Birkdale'. A rapid sketch from the 'Birkdale'. Everett has used colour to convey the effects of light on the sea and sky. He has contrasted the dark green sea with the pale coloured sky, and the dark dramatic clouds.
1920
National Maritime Museum
Seascape from the 'Birkdale'. A rapid sketch from the deck of the 'Birkdale' showing a empty horizon. The sea is flat calm and painted in blue washes with short coloured brush strokes indicating waves. This contrasts with the pale sky
1920
National Maritime Museum
Seascape from the 'Birkdale'. A rapid sketch from the deck of the 'Birkdale', showing a dramatic cloud effect on the horizon. Everett has used form and colour to create the sensation of hovering storm clouds. The sky is shown as light
1920
National Maritime Museum
Seascape from the 'Birkdale'. A rapidly painted sketch form the 'Birkdale'. Everett has used colour to show the effects of cloud over the sea. The upper clouds are painted using several tones of pink to indicate the rays from the sun.
1920
National Maritime Museum
Seascape from the 'Birkdale'. A rapidly painted sketch from the 'Birkdale'. In this loosely painted sketch Everett has recorded the effect of light on cloud. The vivid pink cloud contrasts with the pale blue sky and deeper blue of the
1920
National Maritime Museum
Seascape from the 'Birkdale'. A seascape from the 'Birkdale', showing a four-masted sailing ship on the horizon. The loosely constructed sketch shows a wide expanse of sea. This forms the main purpose of the composition and concentrate
1920
National Maritime Museum
Seascape from the 'Birkdale'. A seascape from the deck of the 'Birkdale'. A sailing ship is shown in the middle distance towards the horizon. In the foreground waves are shown on the left dashing against the side of the 'Birkdale&
1920
National Maritime Museum
Seascape from the 'Birkdale'. A seascape of a sunset, from the deck of the 'Birkdale'. The artist has used colour and form to convey the dramatic effects of the sun's glow on the sea and the sky. The sea is shown dark blue with st
1920
National Maritime Museum
Seascape from the 'Birkdale'. A seascape of an empty horizon from the 'Birkdale'. Through colour and form it concentrates on the visual effects of cloud shown as smudges of vivid colour. The sky on the right is shown as a flat wash of
1920
National Maritime Museum
Seascape from the 'Birkdale'. A sketch from the 'Birkdale' showing a calm sea. Everett has created his desired effect using form and colour. The sun is high in the sky and throws strong reflections over the surface of the water in thic
1920
National Maritime Museum
Seascape from the 'Birkdale'. A sketch from the 'Birkdale' showing a calm sea. The silhouette of a sailing ship is outlined loosely on the horizon. The effects of brilliant light are created by the sun, quite low in the sky, painted in
1920
National Maritime Museum
Seascape from the 'Birkdale'. A sketch from the 'Birkdale'. Everett has used colour to demonstrate the light effects of the sun on the sky and sea. The sea is shown in tones of mauve, purple and lilac and the sky with a bank of light c
1920
National Maritime Museum
Seascape from the 'Birkdale'. A sketch from the deck of the 'Birkdale', showing cloud formation and the effects of weather and light. The artist has concentrated on the cloudburst on the far right, falling from clouds shown as a block
1920
National Maritime Museum
Seascape from the 'Birkdale'. A sketch from the deck of the 'Birkdale', showing the sea and sky. The sea has been loosely painted as bands of horizontal colour with a few waves implied by short brush strokes in the foreground. The main
1920
National Maritime Museum
Seascape from the 'Birkdale'. A sketch of a seascape made from the 'Birkdale'. In this loosely worked sketch Everett has used broad brush strokes and blocks of colour to convey the scene. In the foreground thick impasto paint has been
1920
National Maritime Museum
Seascape from the 'Birkdale'. A sketch of an empty horizon from the deck of the 'Birkdale'. Taken from a low viewpoint Everett explores the relationship between sea and sky through the reflections from the sun. He has painted the waves
1920
National Maritime Museum
Seascape from the 'Birkdale'. A sketch of an empty horizon from the deck of the 'Birkdale'. The artist has impressionistically suggested sky and sea with minimal brush strokes to achieve a dramatic effect. The sketch concentrates on th
1920
National Maritime Museum
Seascape from the 'Birkdale'. A sketch of sea and sky, looking towards an empty horizon from the deck of the 'Birkdale'. The sea is shown as a series of short diagonal brush strokes. Alternating between light and dark, they indicate th
1920
National Maritime Museum
Seascape from the 'Birkdale'. A sketch showing an empty horizon from the 'Birkdale'. The artist has used colour and form to convey the effects of sunlight on the surface of the sea and sky. The sea is shown as a series of short brush s
1920
National Maritime Museum
Seascape from the 'Birkdale'. A sketch showing the dramatic effects of colour in the sky created by the setting sun. The painting was made during Everett's trip on the 'Birkdale'. He has concentrated on the moment the sun hovers o
1920
National Maritime Museum
Seascape from the 'Birkdale'. An atmospheric sketch of an empty horizon from the 'Birkdale'. Through colour and form Everett has conveyed an image of calm showing a flat sea and the sun high in the sky. The painting is an evocation of
1920
National Maritime Museum
Seascape from the 'Birkdale'. An empty horizon from the deck of the 'Birkdale'. Everett has used form and colour to create the seascape. The sea is shown as a series of loosely painted diagonal peaks and troughs. The sky is streaked wi
1920
National Maritime Museum
Seascape from the 'Birkdale'. An empty horizon showing the effects of clouds from the deck of the 'Birkdale'. Everett has used form and colour to create a highly dramatic effect. A blue-grey mass of cloud hovers above the horizon and o
1920
National Maritime Museum
Seascape from the 'Birkdale'. An impressionistic sketch of a seascape looking towards an empty horizon, from the deck of the 'Birkdale'. The artist has concentrated on the bank of cloud on the right towards the horizon and uses colour
1920
National Maritime Museum
Seascape from the 'Birkdale'. An impressionistic sketch of a sunset from the deck of the 'Birkdale'. The sea is shown flat calm with the profile of land against the skyline, visible in the distance on the right and left. The effects of
1920
National Maritime Museum
Seascape, Bermuda from the 'Birkdale'. A seascape showing a dark mass of cloud over the sea, from the deck of the 'Birkdale'. Everett has used form and colour to evoke the highly stylized effect. The large bank of cloud stands out agai
1920
National Maritime Museum
St Michael, Azores, from the 'Birkdale'. A sketch looking towards the island of St Michael, Azores, from the 'Birkdale'. The artist has shown the land in profile as a dark blue mass on the horizon. Above is a block of lighter blue rep
1920
National Maritime Museum
Study of HMS 'Renown', from astern, flying the Royal (Standard. Inscribed 'Renown' by the artist, lower right. This vigorous colour sketch is a stern view of the superstructure of the battlecruiser 'Renown' (1916), showing h
1920
National Maritime Museum
The 'Birkdale', Showing the Saloon with Captain and Mate. On 22 April 1920, Everett sailed from Bristol for Sabine, Texas, as third mate of the barque 'Birkdale'. This voyage resulted in many drawings and paintings. The 'Birkdale,
1920
National Maritime Museum
The deck of the 'Birkdale' in a storm. A dramatic scene showing figures on the deck of the 'Birkdale' during a storm. The format of the painting enhances the dramatic effect together with the emphasis on the vertical mast on the left.
1920
National Maritime Museum
The Deck of the 'Birkdale'. A view of the deck of the 'Birkdale', showing selected elements of the ship. Everett has concentrated on such detailing as coiled rope, chains, capstan and cable-holders. These are used to create a series of
1920
National Maritime Museum
The deck of the 'Birkdale'. On 22 April 1920, Everett sailed from Bristol for Sabine, Texas, as third mate of the barque 'Birkdale'. This voyage resulted in many drawings and paintings. The 'Birkdale', built in 1892, was the
1920
National Maritime Museum
Tooth soap in brown case. A small brown bakelite case containing an unopened circular bar of tooth soap. The inscription on the cover states the soap was used by 'H.M. NAVAL FORCES'. The inscription on the tooth soap says that it was made by
1920
National Maritime Museum
Type 6/18 Mark II. Aperiodic compass
Bowl: Brass, painted grey. Filler plug at side of bowl, expansion chamber attached to base. An aperture is provided in side of bowl for illuminating the spider. Bowl attached by three legs with pin and helical springs
1920
National Maritime Museum
Yucatan Straits, Gulf of Mexico, from the 'Birkdale'. A dramatic sketch showing cloud formation over the sea in the Straits of Yucatan, Mexico. This is one of the most treacherous bodies of water in the Caribbean Sea, notorious for its strong no
1920
National Maritime Museum
, Arreau, Hautes-Pyrénées, France, A 24 774
1920 ou 1921
Albert-Kahn Museum / Department of Hauts-de-Seine
, Arreau, Hautes-Pyrénées, France, A 24 775
1920 ou 1921
Albert-Kahn Museum / Department of Hauts-de-Seine
, Arreau, Hautes-Pyrénées, France, A 24 776
1920 ou 1921
Albert-Kahn Museum / Department of Hauts-de-Seine
, Béost, Basses-Pyrénées, France, A 24 766
1920-1921
Albert-Kahn Museum / Department of Hauts-de-Seine
, Béost, Basses-Pyrénées, France, A 24 767
1920-1921
Albert-Kahn Museum / Department of Hauts-de-Seine
, Béost, Basses-Pyrénées, France, A 24 768
1920-1921
Albert-Kahn Museum / Department of Hauts-de-Seine
, Béost, Basses-Pyrénées, France, A 24 769
1920-1921
Albert-Kahn Museum / Department of Hauts-de-Seine
, Bious-Artigues, Basses-Pyrénées, France, A 24 762
1920-1921
Albert-Kahn Museum / Department of Hauts-de-Seine
, Bious-Artigues, Basses-Pyrénées, France, A 24 763
1920-1921
Albert-Kahn Museum / Department of Hauts-de-Seine
, Bious-Artigues, Basses-Pyrénées, France, A 24 764
1920-1921
Albert-Kahn Museum / Department of Hauts-de-Seine
, Bious-Artigues, Basses-Pyrénées, France, A 24 765
1920-1921
Albert-Kahn Museum / Department of Hauts-de-Seine
, Eaux-Chaudes, Basses-Pyrénées, France, A 24 749
1920-1921
Albert-Kahn Museum / Department of Hauts-de-Seine
, Eaux-Chaudes, Basses-Pyrénées, France, A 24 750
1920-1921
Albert-Kahn Museum / Department of Hauts-de-Seine