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Bay of Biscay from the 'Ravenspoint'. A sketch from the deck of the 'Ravenspoint' sailing through the Bay of Biscay. The outline of land is visible in the distance on the far left and the sails of a ship can be seen towards the horizon
1935
National Maritime Museum

Bay of Biscay from the 'Ravenspoint'. A sketch made in the Bay of Biscay from the deck of the 'Ravenspoint'. A ship can be seen silhouetted in the distance on the horizon and slightly to the right, with smoke trailing upwards from the
1935
National Maritime Museum

Rainbow from the 'Ravenspoint'. A sketch from the 'Ravenspoint', concentrating on the effects of a rainbow over the sea, with rain falling on the left. The painting has been carefully constructed with a trough in the wave in the foregr
1935
National Maritime Museum

Seascape from the 'Ravenspoint'. A sketch from the 'Ravenspoint' showing a heavy swell. A ship is visible in the distance towards the horizon. The sea in the foreground shows a deep trough with the sides of the waves rising up on eithe
1935
National Maritime Museum

Seascape from the 'Ravenspoint'. A sketch from the 'Ravenspoint' showing the effect of waves on a calm sea. From a low viewpoint he has shown a trough of a wave diagonally across the lower half of the painting. The artist has concentra
1935
National Maritime Museum

Seascape from the 'Ravenspoint'. A sketch showing the movement of waves in a lively sea from the 'Ravenspoint'. On the left a wave is shown flecked with light-coloured paint to indicate foam. The trough of the wave is positioned diago
1935
National Maritime Museum

Seascape from the 'Ravenspoint'. An atmospheric sketch of an empty horizon from the 'Ravenspoint'. Everett has captured the effects of the sun on the surrounding sky and the sea. The sun is shown in the centre, as a brilliant orb of th
1935
National Maritime Museum

Seascape. 'Seascape'.
1935
National Maritime Museum

St Ives. A sketch of waves breaking on Porthmeor Beach, St Ives. The viewpoint is low and close to the water. No horizon or sky is shown and the eye is taken to the line of waves breaking. The whites of the waves form a rhythmic pattern of light paint and
1935
National Maritime Museum

St Ives. A sketch showing waves breaking against the shore, probably on Porthmeor Beach, St Ives. In this painting the waves are breaking in the shallows and on to the beach. The sky and the beach are indicated by thin washes of colour, which serve to sho
1935
National Maritime Museum

The Mediterranean from the 'Ravenspoint'. A sketch from the 'Ravenspoint'. Everett has used form and colour to demonstrate the relationship between sea and sky. The sketch concentrates on the light effects of reflections on the surface
1935
National Maritime Museum

The Mediterranean from the 'Ravenspoint'. A sketch of the movement of waves from the 'Ravenspoint'. The low viewpoint means that the eye is on the same level as the sea. The artist has explored the effects of such an experience by crea
1935
National Maritime Museum

Seascape near Gibraltar, from the 'Ravenspoint'. A preliminary sketch of a seascape from the 'Ravenspoint', looking towards an empty horizon. The artist has created washes of colour to represent the sea and the movement of the waves be
January 1935
National Maritime Museum