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Corbiere, Jersey. A powerful sketch showing the relationship between sea, sky and land which was made while the artist was at Corbiere in Jersey. He has focused on the power and movement of the sea by emphasizing the peaks and troughs, and using thick whi
1928
National Maritime Museum

Corbiere, Jersey. A sketch showing a seascape of waves breaking diagonally on the right. The scene is conveyed through the use of colour and brush strokes. The sea is streaked green and lilac with lighter coloured foam on the crests of the waves. Everett
1928
National Maritime Museum

Rear-Admiral Sir Murray Frazer Sueter, 1872-1960. A head and shoulders portrait, with the sitter's head shown in left profile, wearing modified mess dress including an evening cloak and with medal miniatures. Sueter was the son of a Fleet paymaster.
1928
National Maritime Museum

Seascape in Jersey. A seascape at Corbiere, Jersey. The sea is shown breaking towards the shore in a series of horizontal bands positioned diagonally across the sketch. The sea is shown as a series of loosely painted green and blue short brush strokes and
1928
National Maritime Museum

Seascape, Corbiere. A sketch of the sea made while Everett was at Corbiere in Jersey. He was there from 13 January to 6 February for three weeks. The artist has sketched the rhythmic sequencing of the waves using hatched patterning to depict their movemen
1928
National Maritime Museum

Seascape, Corbiere. A sketch of the sea made while the artist visited Corbiere, Jersey. He stayed there for three weeks from 13 January to 6 February for three weeks to paint the constantly changing sea and sky. The low viewpoint, is on the same height as
1928
National Maritime Museum

Seascape, Jersey. A fleeting impression of a lively sea seascape with a ship silhouetted against the horizon on the right. The sea and sky are loosely sketched with hatched areas of white creating the effect of movement. Dramatic impact is created by cont
1928
National Maritime Museum

Seascape, Jersey. A sketch of the sea made while Everett was staying at Corbiere in Jersey. He painted a large number of such sketches, observing the movement of waves approaching the shore, experimenting with colour and form to achieve the desired effect
1928
National Maritime Museum

Seascape, Jersey. A sketch of the sea made while the artist was at Corbiere in Jersey, focusing on the relationship between the sea and sky. The sea in the foreground has been reduced to a collection of horizontal strips of colour, darkening towards the d
1928
National Maritime Museum

Seascape, Jersey. A sketch of the sea made while the artist was at Corbiere in Jersey, showing the beach in the foreground, sea and sky. The sky dominates the image and Everett has adopted a formalistic approach, reducing the clouds to patterns and blocks
1928
National Maritime Museum

Seascape, Jersey. A sketch of the sea made while the artist was at Corbiere in Jersey. At the point of the empty horizon the sky glows in bands of pink, yellow and grey blue. The sketch concentrates on the movement of waves and on the honeycomb effect of
1928
National Maritime Museum

Seascape, Jersey. A sketch of the sea made while the artist was at Corbiere in Jersey. Everett painted a large number of sketches observing the movement of waves approaching the shore. He experimented with colour and form to achieve the effects he sought
1928
National Maritime Museum

Seascape, Jersey. A sketch of the sea made while the artist was at Corbiere in Jersey. The viewpoint means the waves almost break at eye level. Through the use of form and colour Everett creates a dramatic evocation of sky and sea, potentially threatening
1928
National Maritime Museum

Seascape, Jersey. A sketch of the sea made while the artist was staying at Corbiere in Jersey. A small ship is shown ploughing though a heavy sea on the right, with funnels just visible above the waves and smoke trailing behind the ship. The waves are sho
1928
National Maritime Museum

Seascape, Jersey. A sketch of the sea made while the artist was staying at Corbiere, Jersey. He went there from 13 January to 6 February, 1928, to paint and sketch the sea. In this seascape the artist has concentrated on the rhythmic sequencing of the wav
1928
National Maritime Museum

Seascape, Jersey. A sketch of the sea, probably made while the artist was at Corbiere in Jersey. Everett painted a large number of sketches showing the movement of waves approaching and breaking close to shore. He continually experimented with colour and
1928
National Maritime Museum

Seascape, Jersey. A sketch of the sea, probably made while the artist was at Corbiere in Jersey. Everett painted a large number of sketches showing the movement of waves approaching and breaking close to shore. The crests of the waves are painted with thi
1928
National Maritime Museum

Seascape, Jersey. A sketch of waves coming inshore on the beach at Corbiere, Jersey. Everett stayed there for three weeks from 13 January to 6 February 1928 to concentrate on the visual effects of waves and light over the sea during the winter. This sketc
1928
National Maritime Museum

Seascape, Jersey. A sketch of waves made while Everett stayed at Corbiere, Jersey, for three weeks from 13 January to 6 February 1928. He visited Corbiere expressly to concentrate on the visual effects of waves and light over the sea in the winter. One of
1928
National Maritime Museum

Seascape. Painting.
13 Dec 1928
National Maritime Museum

Seascape. Painting.
15 Dec 1928
National Maritime Museum